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By:

Minal Sancheti

2 May 2026 at 12:26:53 pm

Freedom of expression over says artist Jain Kamal

Mumbai: Veteran artist Jain Kamal believes that his fraternity lacks freedom of speech in today’s time. While speaking to ‘The Perfect Voice’, he said, “Freedom for the artists no longer exists. Now, we are living in the times of dictatorship. If we don’t have freedom of expression, then it will be very difficult for the artists to survive. There should be purity in the expression of the artists, saints, scientists, and thinkers so that there is more positivity in society.” Jain is going to...

Freedom of expression over says artist Jain Kamal

Mumbai: Veteran artist Jain Kamal believes that his fraternity lacks freedom of speech in today’s time. While speaking to ‘The Perfect Voice’, he said, “Freedom for the artists no longer exists. Now, we are living in the times of dictatorship. If we don’t have freedom of expression, then it will be very difficult for the artists to survive. There should be purity in the expression of the artists, saints, scientists, and thinkers so that there is more positivity in society.” Jain is going to exhibit his 50 years of work at the Jehangir Art Gallery from May 26 to June 1. The exhibition, ‘Retrospective’, will be inaugurated by Dattatreya Hosabale, General Secretary of the Rashtriya Swayamsevak Sangh. The paintings are a translation of the Jain religious chanting of the Navkar Mantra. Jain said, “I have been working on these paintings for the past 50 years and have put in a great effort to convey to the world the message of peace and harmony using the Jainism chanting. Like a mother makes delicious food for her child, I have used words to create beautiful art for the people.” When asked what inspired him, he said, “I wanted to do something with words. So I thought why not use Gayatri mantra or Hanuman Chalisa but then I chose Navkar mantra which is a Jain mantra. I used the five lines of the mantras in my paintings. In the exhibition, you will get to see a ‘Picchi’ (a broom used as a symbol of non-violence and which the Jain monks use to brush away any small insect that comes in their way.)” Jain added, “Half of the threads attached to the Picchi are in Brahmi, and half of the Picchi are in Devanagari. I have combined the time of Jain God Rishabdev with today’s generation by using both languages. I have also painted ants dancing to show nonviolence preached by the religion.” The words are formed like a chain in concentric circles in one of the key paintings. Some paintings consist of lakhs of words depicting the Jain mantras. “In these paintings, you can find the entire world through the written mantras. They convey that everything is made by God and there lies nothing in the material world. We should not be proud of our possessions, as everything in the world belongs to Khuda. So be peaceful and spread peace.” He added, “I did not talk about religion, but the philosophy of peace that I want to spread to everyone. I planted the seed of a mantra and thoughts into my artwork, which is why it is unique and different.”

Dangerous Departures

Updated: Oct 30, 2024

Dangerous Departures

In yet another shocking incident adding to Mumbai’s infamous tryst with stampedes, chaos erupted at Mumbai’s Bandra Terminus following a weekend stampede that left at least ten persons injured, two critically so. A crowd surged toward the Gorakhpur-bound train with nearly 1,500 people vying for seats in 22 unreserved compartments, leading to the stampede. Several others narrowly avoided tragedy, with some even pushed onto the tracks. This is not a unique episode but rather a recurring theme in Mumbai’s bedevilled crowd management, one that has haunted the city’s public spaces, particularly as festive seasons magnify the crowds.


Mumbai is no stranger to stampedes. A horrifying incident in 2017 at Elphinstone Road Station left 23 people dead and nearly 50 injured. The cause was a familiar one: an overwhelming crowd confined to a narrow footbridge during peak rush hour. The tragedy sparked an outcry, with promises from authorities to upgrade infrastructure and enhance safety protocols. Yet seven years on, crowd-related incidents continue to be a constant danger. Today’s incident reveals a similar lapse—a lack of foresight in managing the thousands who gather on platforms ahead of Diwali, eager to return to family. That the Gorakhpur Express was unreserved and heavily crowded was predictable.


The issue lies beyond simply crowd density; it is emblematic of deeper systemic negligence. The Brihanmumbai Municipal Corporation (BMC), responsible for local public safety, along with the Railways Ministry, bear responsibility for ensuring order at such high-risk hubs. Although the BMC acknowledged the “festive rush,” it appears little was done to pre-empt it. Swift action could have been taken to either disperse the crowd or reroute passengers. Instead, chaos prevailed.


Political reaction has been swift but uninspiring. Aaditya Thackeray, son of Uddhav Thackeray, launched a scathing attack on the Union Railways Minister, Ashwini Vaishnaw, branding the incident a result of the minister’s “incapable” leadership. This hardly addresses the immediate need: a substantive plan to manage crowds and prevent similar incidents.


Mumbai’s transport infrastructure remains sorely outdated. Platforms are undersized, signalling systems frequently falter, and crowd control mechanisms are grossly inadequate. Despite repeated accidents, there has been little investment in comprehensive crowd management systems or the deployment of personnel trained in emergency response. While railway footbridges were widened after the Elphinstone tragedy, Bandra’s incident demonstrates that such incremental changes are insufficient. Mumbai, which sees a swelling populace during festivals, demands a robust strategy to address its vulnerabilities. This should include technology-driven crowd monitoring, clear communication channels to inform passengers of platform conditions, and additional security and medical staff on high-demand days. It is essential that crowd management training for personnel becomes a priority rather than a reaction to tragedies.

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