In India, few topics evoke as much passion as cricket, politics, and films. Conversations on any of these can transform an acquaintance into a friend or a rival. Since 2014, however, even casual debates on these subjects often take on a political shade, with opinions quickly labelled as pro or anti-establishment. This is especially true for the film industry, which now explores previously 'untouchable' themes and crafts biopics on major political figures. Yet, as Maharashtra and Jharkhand prepare for elections, it's evident that these films aren't just cinematic ventures—they're reflections of societal and political sentiments.
A surge of recent films focused on political personalities has hit the screens, with varied receptions from the audience. Biopics like Sangharsh Yoddha Manoj Jarange Patil, which centres on the life of activist Manoj Jarange Patil, and Yek Number, inspired by the public persona of MNS chief Raj Thackeray, are among them. Despite their timely release ahead of state elections, the reception has been lukewarm.
The Marathi play Mala Kahi Tari Sangaycha Aahe—Eknath Sambhaji Shinde is another politically inspired piece, presenting CM Eknath Shinde in a positive light. Veteran theatre personality Ashok Samel, who brings this play to life, describes it as a “very positive” portrayal of Shinde’s character. Yet, like other recent films and performances, hope this play will turn the table and turns to be hit.
Earlier, in May 2022, Dharmaveer, a biopic on Anand Dighe, the charismatic Shiv Sena leader, received substantial attention just before Eknath Shinde's defection from the Shiv Sena. Released at a politically charged time, Dharmaveer resonated with audiences and presented Shinde and his associates positively, offering a glimpse into the intricate connections between cinema, politics, and public sentiment. Its sequel, Dharmaveer 2, delves deeper into Dighe's life and influence, attempting to connect past political legacies with present dynamics.
When examining the mixed success of political biopics on figures like Narendra Modi, Indira Gandhi, Manmohan Singh, Sardar Vallabhbhai Patel, and Lal Bahadur Shastri, a pattern emerges. Despite their appeal and the public’s respect for these figures, the box-office results have often been underwhelming.
The audiences for such films seem scattered, rather than concentrated, affecting ticket sales. Critics suggest a different release strategy could yield better results, with limited screenings that create exclusivity and attract dedicated viewers.
The challenge in crafting a successful political biopic may lie in accuracy and evidence. Audiences demand not just storytelling but an adherence to documented truth. The 1982 Hollywood film Gandhi serves as a case in point.
Today’s filmmakers may well need to look to Gandhi for inspiration. By grounding stories in verifiable events and making them relatable, they could bridge ideological divides and capture the public’s attention. As Indian cinema continues to venture into political territory, the challenge will be to offer authenticity and relevance, reflecting not only the lives of prominent leaders but also the public’s complex relationship with them.
(The author is a communication professional. Views personal.)
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